Mattias Forshage

Mattias Forshage

 

 

WORTHLESS PLACES (Atoposes*):

The foremost purposes of city planning are of course purely disciplinary, but it is based on generalised demands for profitableness against the world in its areal, material foundation. Most of the land is used, and serves a purpose in one way or another. Everything is demarcated and categorised, built upon, cultivated, worked, or possibly preserved for tourism or recreation with an ideological purpose; it all has its place and its value.

On the other hand, the “non-places” still extant in cities and suburbs gain an ever more important symbolic and poetic meaning: that is, the unused or abandoned interspaces between different planned places. Exceptions remaining or reborn everywhere: hidden corners of parks, odd backstreets and nooks, interspaces between properties, buildings or roads, various pathways and squares left half-ready or abandoned in the quick transformations of urban life. Pedantic city planning creates order much through rejection: an increasing number of places do not fulfill their intended functions. They get demarcated as a vaguely forbidden zone, close upon us but economically dead and therefore often invisible.

The point is of course to prefer the accursed share before all that is enclosed in the service of economical or ideological utility. The worthess in itself. And at the same time the picturesque qualities of these worthless places are often striking. But within the frames of our project concerning worthless places that we´ve been pursuing for some years in the Surrealist group in Stockholm , we try to go further, and through more systematic study attempt to reveal focuses of resistance where one least expected them.

atoposes

Many of them are characterised by the fact that odd situations tend to emerge there: one finds strange objects, and become witness to – or part of – strange courses of events, that all blossom like mould just because the place isn´t pruned, supervised or laboriously restricted to a planned function. Others of these places have no extenuating qualities, and rather get their value from their total worthlessness.

This systematic effort includes not only photographic documentation, classification and speculation concerning origin and development, but also their study by means of various surrealist inquiries and games (among other things revealing subjective obsessions of these places), collecting anecdotes (stressing their possibilities from a social point of view), and their botanical study, which has turned out to be a key aspect.

Inspired by a book on the flora of Stockholm by botanist Per Sigurd Lindberg we have realised what a unique botanical environment the city (and of course above all its worthless places) really is. It has become such an oasis through a number of particular circumstances; of which most can be described as extremely tough environmental factors; drought, pollution, overnourishment, asphalt, concrete, macadam; the extremely high rate of disturbance (wear as well as total reshaping, through building works, repairments, people, cars); and the profuse exchange with other milieus and other parts of the world (through trade, tourism etc.). All these circumstances contribute in making the city a refuge for involuntarily introduced plants, fugitives from cultivations, various weeds and especially a number of less competitive species that thrive here in the absence of those more competative species that dominate the natural environments.

Beside the fact that these plants have their own poetry and their particular scientific interest, they may serve as the most concrete aspect of a row of analogous fields.

First the level of meaning: the city gets overgrown wherever the refuse collectors of utility look the other way; what has been abandoned and forgotten gathers in heaps that start to grow in the hidden; a jungle of the strange fruits of the rejected, the revenge of nature or the return of the repressed, a chaos sometimes imaginative and sometimes just disgusting but always strange and profoundly human.

To some extent this is true also concerning the material artifacts, the objects and architecture: the concentrations of garbage, lost belongings, constructions falling apart, solutions having become out of date.

It is definitely true from a social point of view: the homeless, alcoholics, drug addicts, maniacs, curious children, drifting youths, all pay their visits to these non-places to make nonintended use of them and charge them with the excitement of their obsessions. The strange encounters that might result, the strange ways of communication, the strange solutions, in all their nonhandiness ought to be an important element in what really constitutes the social today (not so long ago people used to confuse state with society, but that isn´t as easily done today when the state abandons its social or pseudo-social functions one by one).

And contemplating the main tendencies of the development of urban flora: 1) disturbance and overnourishment, 2) indiscriminate internationalisation, 3) the mass immigration and dominance of the less competative, they might prove to be key aspects not only to modern urbanism but to late capitalist society in the entirety of the imperturableness in its disintegration. This would of course include revolutionary possibilities. Never underestimate the worthless.

         
  various photographs of atoposes   worthless places  
     
 
     
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(*) In the mid 90’s the Surrealist group in Stockholm developed a project around what we called “non-places” (atoposes) .

[1998]

Photos courtesy of Bruno Jacobs, 1995-98.


 

Scanning Electron Microscopic image of insect Trybliographa cubitalis, by Forshage.

 

 

Contribution to the investigation of the

TROPES OF PANSEXUALITY

 

The task to eroticise the world remains.

Market relations dominate sexuality, with personality-economic investments in either steady pair relationships securing adaptive happiness in the comsuption of a normal sex life or meat market transactions in order to cultivate one’s brand and consume an allegedly “simple” pleasure that actually uses to consist to a decisive extent of needs of exorting power or needs of confirmation, thus compensatory needs.

All these worries. Always and everywhere getting more attractive, improving one’s sexual technique, worrying about loosing the specific sexual possibilities one’s succeeded to arrange, or feeling unattractive or insufficient or totally worthless when not having suceeded in arranging them. These perpetual sexual worries are taken together not only the probably most important single source of individual misery among us but actually to a large extent synonymous with individual misery (this not the least because all other motives from the certain viewpoints of popular psychology actually are only disguised expressions of sexual worries. But also, it must perhaps be noted, because it is easier for other types of unhappiness to appear as collective rather than individual ones. Just like in other connections a great portion of the solution usually lies in being able to expose the collective and sopcial nature of the problems, to deindividualise them.).

Well, well. The whining about sexual misery not only keeps the individuals convinced that they aren’t feeling well, but is also used to sell everything, both small and big commodities, social relations and political reforms. Some of them in an open and smple manner; everything is easier to sell with a hint that it makes the buyer or the world more sexy. But even more in a diffuse and automatic manner; the very arousal of associations to sex gains attention (and ideas about content) among sex-fixated (happily and unhappily alike) subjects. The parallell movements of sexualising the market and marketing sexuality creates a genuine porn-society.

And still we keep on playing, experimenting, feeling and inventing; even with means and buildingblocks that the commodity-evolution has offered us. Experiences that are available behind every corner in life provide a reason for a militant defense of sensuality and imagination in our relation to reality and to each other, and for resistance against the general movement that tends to simplify, instrumentalise and commodify every relation. On one plane, all of the activities that many engage in to experiment and play in the sensual domain may be elements in a wider striving to eroticise the world, that is reenchanting the world, or if one prefers, exalting reality.

But it is heavy work. A book I recently read on psychoactive drugs hailed MDA and others as “love drugs” – which meant that these drugs made it possible to escape the demanding striving for attaining orgasm, so one could engage in sex in a warm, sensitive, lasting and rich way. Is it true? Are we so strictly programmed so we require chemical therapy in order to open the field of erotic sensations (as opposed to sexual achievements) at all?

Perhaps it’s still pedagogic to refer to drugs in this connection, even though one of course doesn’t wish anyone to lead such a boring life and have such an immobile imagination so that becomes the only way of making unusual experiences. But still drugs provide paradigmatic examples of how the senses can be awakened, and take in more than the everyday obstacles and rationalisations normally allow, how small details can become meaningful, fascinating and overwhelming, how fruitful deplacements and crossconnections, new logical arrangements and unseen psychic dynamics arise.

Actually these phenomena are of course essential moments in the poetic experience: poetry is the very emblematic field for this meaning-producing curiosity with experimental methods. Unfortunately the conceptions of modern poetry are probably much less widespread and generally more diffuse than the conceptions of drug experiences, so one has to refer to the latter to make people understand what one’s talking about. Beside poetry and drug experiences of course the same mechanisms are put into motion by madness, by falling in loive and by dreamthinking (- but please note how these all belong to different psychosocial situations.)

 

This orgasmothely (strict goal orientation towards orgasm) together with the general fixation with penetration and the general lack of imagination are the decisive factors in shaping contemporary sexuality. In the widespread popular psychological distinctions between male and female sexuality this is usually portayed as the natural and objective expression of male sexuality. While the non-goaloriented, subtile, emotional and ambient is classified as belonging to the female sphere. Of course many may object that this doesn’t exactly cover their own experience. Or that, if it actually would fit, there might be the time to pose the basal queer question: how the hell has such a sexuality originated among us? But first and foremost we know that simplified classifications of objective sex-differences usually turn out to be patriarchally ideological tools. The aim is on one hand the obviously implicit; to discipline and adapt to norm, and on the other hand the usually explicit one: to de-guiltify and “increase understanding” between the separated sexes; to decrease irritation and friction in maintaining the (allegedly male) praxis of orgasmothelic penetration-fixation, regardless of whether the purpose is consumistic-hedonistic-(individualistic-liberal) or to safeguard a normal sexlife which is to be the glue in a normal happy (bourgeois) pair relationship. The more pansexual (allegedly female) sexuality in this model has basically nothing to teach us, probably not even get in-quoted in the sexual repertoire, but rather it shall be understood in order to be handled and utilised for achievement-directed and normalising means.

There actually are antipornography militants who in all wellmeaning have suggested that we must, in order to superceed the sadomasochistic-patriarchal-pornographic shaping of our whole sexuality, make an effort to eroticise equality, kindness, care and justice. Such a monumentally boring standpoint often starts out from the insight from queer theory that sexual normality is socially produced; then it ought to be posible to reorganise the social programming and create another sexuality? Well, yes. But it seems reactionary to try to shape it in a way that strives to abandon all of the tension, transgression, wilderness, unreasonable fixation and existential experimentation that makes sexuality remain a particularly interesting sphere. Stripped of all this, it is very difficult to imagine sexuality as something else than the dedramatised and conform “natural plight” among others (food, sleep, politics, amusement, production and perhaps prayer) that it usually is in political utopias (including the social democratic ones and several of the christian ones – but not in the Fourierist and a few more). When you’ve had it with pornography in society and pornography within you, there is actually something more engaging needed than socialdemocratic-anarchist wellmeaning to undermine it. There is a need of unusual experiences and there is a need for a more thorough refelction on what makes the exciting exciting and the beautiful beautiful.

Queer theory made a huge contribution in popularly and strikingly problematise normality, but in order to make it such an academic fashion, and even more a striking bat for homosexual subcultures, it was necessary to keep it simple and not too radical. Actually the motivation for, and the consequences of, the larger part of queer theory and queer jargon, probably has been nothing more than a narrowly liberal strengthening of the legitimity of a certain assortment of deviations, particularly whenever these are mere fetischist varietys of ordinary achievement-directed orgasmotelic (even still penetration-fixed) consumistic hedonism. The very same sexuality that has been established as normal but with slightly different objects. To the extent it still mostly about men, the project can be characterised as theoretical new thinking concerning where the dick might be put, and a certain broadening of the selection of things acceptable to eroticise, but still the aim is to get lighted in order to put the dick somewhere and move back and forth until it comes; it is not about eroticism possibly having a different strategy and meaning than this.

Old Freud used to speak about the polymorphic perversity of the child. In the queer genre there is some who like to employ the term, but with it refer to an increased general sex-fixation and a liberal openmindedness to the available variety of common fetischist fixations. If this term is to be used it would be better to reserve it to trying to evoke specifically the openness and the lack of fixation on genitalia and orgasms that characterise child sexuality; discovering and hailing the erotic aspect of various activities.

 

So, what activities and images that are engaging on a pansexual level is what I intend to start exploring here. But it’ll just be a little package of introductory suggestions. There always so much to lay down concerning the conditions to begin with. I hope I’ll get the opportunity to write part 2.

 

To begin with, I’d like to sketch analytically the triade perception – fantasy – outliving, three aspects that creativity always moves between.

 

perception: availability; situation, atmosphere, curiosity, over-sensitivity

 

outliving: physique, praxis, expressivity, bodily happiness

 

the tropes of fantasy: phantasms and fixations; ideas and linguistic complications turning flesh within the senses, the real lanes, bearings and patterns of revery (this that Gaston Bachelard wrote books about as “material imagination”.

 

Fantasies related to perceptions group around the functions that we touched upon as “poetic experience” including drug jourenys, falling in love, etc, all of these images where the wortld actually becomes alive again, electrically charged with content, mysteries that are just waiting to develop themselves or just spread a strange taste. It seems to revolve a lot around synesthetics (how images sound, how voices taste, how atmospheres look, how flesh sounds, etc) and subject-dissolving (not having to be oneself anymore and instead trying to participate in someone else, even in the world) and why not animism. Sometimes it’s called empathy, the ability to really enter into someone else’s experience, someone else’s body, the beloved one, or an innocent stranger, an animal, a thing. Intercourse with all kinds of entities.

This intercourse of course provide a transition to the aspect of fantasies around living out: and a corresponding category of ambivalence is grown in the fantasties about surrounding media: about how one is surrounded, embraced, devoured, by the lake, night air, water fall ,fire, clouds, ice, mucus, cloth, honey, arms, the insect swarm, the mouth of the predator, etc. Such experiences can often be cultivated in specialised manners in everyday life, making one walk about as a perverse perceiver feeling the different air environments, the different grounds for the feet, the different materials of clothes, etc, that one dwells among.

As more purely fantasties about living out all the forms of physical automatism group themselves, the ones we are acquainted with as dancing, swimming, perhaps fistfighting, certain types of acrobatics, why not unrestrained sex. As particular tropes I believe some are more important than others: those concerning oral possession (devouring bodyparts, intersting objects, the object of love in its entirety, in order to become one with them), those concerning hailing (to elevate, decorate, paint on, sculpt the beloved one or whatever object one focuses upon, transforming it into a work of art and a star) and those concerning transformations (becoming different animals, monsters, plants, stones).

A transitory category is possible in the other direction too, from living out to perception, through different kinds of metaphorical fantasies; some are even well-known formulas like “mind-fucking” or even better “devouring someone with one’s eyes” (think about the concrete aspects of that, what a synesthetical oral possession !).

 

The boundaires are diffuse and several fields are mined, ephemeral or unreliable. The sublimation of romantical overheating borders to the ideology of masochism. Sensual presence can become a striving for well-being which, if one’e really unlucky, may turn into helath-care, sound living and positive thinking. All too often the ambitions of letting loose and of being inventive have led to a gradual loss of interest in other people and in ambiances and atmospheres. But I don’t accept the idea that the settings of the erotic field would be so damned individual. Of course, what specific forms one has discovered and keeps appreciating most, is a question of individual conditions, experiences and temperaments. But to go from acknowledging that to starting to believe in distinct individual sexualitites, is just succumbing to concepts of personality market, mixing up the cards, missing that we all are taken into possession by an impersonal field of sexuality that contains the whole spectrum of real possibilities. Imagination is not arbitrary. Some things express the inclinations of imagination exactly, others emerge from rational ideas or from simple arbitrariness, and those are just more or less interesting lies and false gold. It is a purely logical mistake to mix up the concepts and refer to wishes as dreams, and to ideas as fantasies.

[2004]

 

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